Leonardo da Vinci’s insatiable curiosity and creative imagination used both of his brain’s left and right sides to their full potential to create a number of innovations that were far ahead of their time. The earliest sketches that predicted the helicopter, parachute, and military tank are attributed to him. His journals are almost as well-regarded as his works of art. They feature scientific graphs, sketches, and painting ideas and are a summation of his life’s work and brilliant intellect.
Today, scholars, artists, and scientists from all around the world continue to admire and study them.
Childhood and Education
In a hamlet close to the Tuscan town of Vinci, Leonardo da Vinci – one of the most talented and creative people in history – was born in 1452. The son of a Florentine attorney named Piero da Vinci and a poor farm girl named Caterina, he was raised by his grandfather on the family estate in Anchiano. Leonardo da Vinci was close to Albiera, a 16-year-old girl his father wedded but who passed away early.
Adoration of the Magi (1480-1482) by Leonardo da Vinci; Leonardo da Vinci, Public domain, via Wikimedia CommonsMature Period
From 1482 through 1499, Da Vinci was employed by the Milanese Court. He was a well-known perfectionist who devoted a lot of time to studying human anatomy, especially how people’s bodies moved, were assembled, and were proportioned, how they interacted with one another during social interactions and communication, as well as how they expressed themselves through gestures.
This was undoubtedly a laborious process, which may explain in part why there are so few completed works despite an extraordinary amount of intricately detailed sketches and drawings that served as full-scale preliminary drawings for canvases.
In addition to demonstrating his unmatched powers of observation, these sketches also demonstrate his aptitude as an artist for deciphering and expressing human emotion.
However, some of his experiments, like many other ground-breaking breakthroughs, would only become problematic afterward. The Last Supper (1498), one of his greatest fresco masterpieces of the time, was the most outstanding.
However, Da Vinci had used oil paints on wet plaster to create the sfumato aesthetic, which finally caused the pigment to peel off the refectory wall of the monastery of Santa Maria del Grazie in Milan.
He was sent on a mission to meet the powerful Matthias Corvinus, King of Hungary, in 1485 on behalf of the duke. While there, he was required to use his rigorous creative abilities to start preparing court festivals as well as architectural and engineering projects, such as the Milan cathedral’s dome design.